Festival Media offers the best Buddhist cinema on DVD. A service of the nonprofit Buddhist Film Foundation, Inc., home of the International Buddhist Film Festival.
Love Dharma: Relationship Wisdom From Enlightened Buddhist Women
Boston: Journey Editions, 2003
240 pp.; $12.95 (paper)
Zen and the Art of Falling in Love
Brenda Shoshana, Ph.D.
New York: Simon & Schuster, 2003
272 pp.; $21.00 (cloth)
The Passionate Budha: Wisdom On Intimacy and Enduring Love
Rochester, VT: Inner Traditions, 2002
242 pp.; $14.95 (paper)
An issue for many dharma students today is how to bring practice awareness to intimate relationships or, at the very least, how to be more conscious in love. Three new books—Love Dharma, Zen and the Art of Falling in Love, and The Passionate Buddha—offer assistance, on the premise that Buddhism has plenty of insight on matters of the heart. The authors are longtime practitioners—one is an ordained dharma teacher—and they venture beyond the self-help formula to emphasize traditional teachings as much as practical advice.
Geri Larkin’s Love Dharma—the quirkiest of the three books—is as subversive a relationship guide as you’re likely to see. The subtitle promises “relationship wisdom from enlightened Buddhist women.” But for all the “wisdom”—and there’s a ton, much of it born of the author’s checkered past—this is at heart a paean to the Buddha’s first female followers, whose struggles—including love troubles—drove them to take refuge.
A Zen teacher in the lineage of Korean master Samu Sunim, and founder of the Still Point Buddhist Temple in Detroit, Larkin mined early Theravadan texts for material on these spunky women. (Much of it is from The First Buddhist Women, Susan Murcott’s translations and commentary on the Therigatha, and Portraits of Buddhist Women, a translation of the Saddharmaratnavaliya, a thirteenth-century Sinhalan work.) Retelling their tales of love, loss, jealousy, and transformation, Larkin finds a lesson on impermanence in every indignity the women suffered, from fading beauty to infidelity. We meet the courtesan Ambapali, once a powerhouse, whose poetry is a wry comment on the withering effects of age: “My hair was black, the color of bees,/ Each hair ending in a curl.
Now on account of old age/ It has become like fibers of hemp”; Isadasi, the “perfect” wife who suffers abandonment; Patacara, destroyed by lust; Sirima and Uttara, archrivals who learn the value of female friends. The relationship do’s and don’ts Larkin extrapolates from the stories are almost beside the point. More significantly, these pioneering women “stand as models for how we can transform our personal tragedies into our own awakening. . . . In the wake of their experiences arose relationship dharma.”
“Relationship dharma” is Larkin’s sometimes antic spin on essential Buddhist teachings, recast to help women cope with issues like adultery, “relationship rage,” and competition. She prescribes the Noble Eightfold Path as a cure for jealousy, and meditation to get over an ill-advised affair. The paramitas (perfections) are reconstituted as “rules” for ensuring partnership equality.
Author of several spiritual memoirs—the latest is First You Shave Your Head—Larkin has a wisecracking, confessional, girlfriend-to-girlfriend style that at times obscures her message: how vibrant these early dharma women were, and how many obstacles they overcame in pursuing enlightenment.
“The wonderful, ancient practice of Zen is actually the practice of falling in love,” psychotherapist Brenda Shoshanna, Ph.D., tells us in Zen and the Art of Falling in Love. The relationship expert on iVillage.com and a Zen practitioner for more than thirty years, she declares at the outset: “We are meant to live a life of love. When we’re not in love, something’s the matter.”
This is relationship, samurai-style, as we are systematically led along the path from “becoming available” to “meeting the beloved.” At each stage of Zen training, we receive an analogous lesson on love. Thus, step one of Zen practice—removing our shoes to enter the zendo (meditation hall)—is about dropping our defenses and opening to both the dharma and the possibility of love. “Sitting on the cushion” is a lesson in “meeting yourself”; “doing nothing,” on “releasing control”; cooking, on “nourishing others and oneself.”
Chapters on sesshin (intensive Zen retreat) and koans (Zen paradoxes) focus on strengthening the ability to work through obstacles until we taste the fruit of relationship practice—union with the “perfect” partner (perfect because now we can see perfection in everyone). “As this happens . . . you do not have to search for love, you are living it, day by day.”