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4'33''
Kay Larson on John Cage's "Silent Piece"
“…silence is not acoustic. It is a change of mind, a turning around.” —John Cage
The most famous instance of silence in the American arts had its debut almost half a century ago, on August 29, 1952, a muggy night in Woodstock, New York, the artists’ colony two hours north of New York City. Pianist David Tudor stepped on stage at the Maverick Concert Hall and walked over to a grand piano. He closed the lid, silencing the instrument. Seating himself on the piano bench, he opened the score, set a stopwatch, and folded his hands. John Cage’s 4’33’’—the “silent piece”—was about to begin.
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