feature

  • Tricycle Community 0 comments

    Skill in Questions Paid Member

    When we read the account of the Buddha’s last night, it’s easy to sense the importance of his final teaching before entering total nibbana: “Now, then, monks, I exhort you: All fabrications are subject to decay. Bring about completion by being heedful.” These words call attention to themselves because they were the last he ever said. That may be why it’s so easy to overlook the importance of what the Buddha did right before saying them. In a gesture extremely gracious—given that he had been walking all day, had fallen severely ill along the way, and now was about to die—he offered one last opportunity for his followers to question him. More »
  • Tricycle Community 9 comments

    Buddhism and Religious Diversity Paid Member

    It is a fact that we live in a religiously diverse world. Religious diversity can and often does result in grave misunderstanding, hostility, and, as we know all too well, conflict, with unacceptable costs to human life and well-being. For this reason, among others, it is incumbent on responsible people to know how to think clearly and compassionately about religious diversity. For Buddhists, it is important in thinking about such issues to use Buddhist tools and views, lest our attitudes and actions simply reflect the biases and reactions we have absorbed from the surrounding culture. More »
  • Tricycle Community 7 comments

    A Right to the Dharma Paid Member

    This article is part of an online special section about Nichiren Buddhism. We hope that by gathering these articles in one place and making them freely available, our Buddhist conversation will be broadened and that we can, all of us, more fully know ourselves in knowing one another. Read the other articles here. More »
  • Tricycle Community 0 comments

    20 Years, 20 Stories Paid Member

    It’s not uncommon for artists to remark that it was only years after completing a poem, say, or a musical composition or a sculpture, that they began to recognize fully what the thing was all about. Looking back over the first two decades of Tricycle, I think we can see something similar at work. Since the first issue appeared in the fall of 1991, we have been approaching a deeper understanding of what we can and should be doing—indeed, of what we are doing and have been doing through the years. But it has taken time for this purpose to become evident. More »
  • Tricycle Community 5 comments

    Focusing Paid Member

    For most of us, don’t-know is a place of get-me-out-of-here-quick. As a writer, sitting down to a blank page makes me instantly want to wash dishes, dust under beds, or finally sew those buttons on a coat I haven’t worn in years. But Eugene Gendlin doesn’t see don’t-know as the Bermuda Triangle of the psyche; to him it is just unexplored frontier, seas as yet uncharted—but friendly—that we can learn to navigate. For years, Gendlin offered a class at the University of Chicago in which he taught exactly that. The purpose of the class was to get students to tap into their implicit knowing—Gendlin’s term for what someone knows but is not yet able to express. “It took weeks to explain that the usual criteria were reversed in my course,” Gendlin says. Everywhere else in the university only what was clear counted at all, he explains. More »
  • Tricycle Community 0 comments

    Becoming Buddha Paid Member

    Located in the heart of Lower Manhattan's restaurant supply district, 222 Bowery is an unlikely dharma fortress. Constructed as a YMCA in 1884, this solid-looking brick hulk has become the home and studio space of a number of well-known New York artists and writers, including poet and Buddhist practitioner John Giorno, who has resided in the former Y's library since 1966. Greeting me on the wide interior staircase, his handsome, somewhat smashed face lighting up with an infectious smile, Giorno beckons me into a large square room, then pads barefoot over a carpeted floor to fix us coffee. His hair is short and faintly hennaed; his voice is flaring, reedy, and excitable, with a youthful enthusiasm belying his 57 years. More »