Arts & Culture

The growing influence of Buddhist artistic expression in contemporary culture
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    Zen and the Art Paid Member

    For better or worse, “Zen and the Art of…” has become a phrase that, like “Catch-22,” gets bandied about in all kinds of contexts. Zen and the Art of Changing Diapers, Zen and the Art of Casino Gaming, Zen and the Art of Faking It—there are now literally hundreds of books with “Zen and the Art of…” in the title, all presumably taking their cue from Robert Pirsig’s huge 1970s bestseller, Zen and the Art of Motorcycle Maintenance. Likewise, hundreds of articles—even scholarly ones—appear under the same banner: “Zen and the Art of Medical Image Registration,” “Zen and the Art of Policy Analysis,” and so on. More »
  • The Taliban's Least Favorite Buddhist Art, Now on View in New York Paid Member

    Jed Perl at the New Republic, on the Asia Society's ongoing exhibition, The Buddhist Heritage of Pakistan: Art of Gandhara, More »
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    True Dharma Eye Paid Member

    According to the calendar spring is just 10 days away, but winter still has its icy grip on Montreal, Canada. Wearing an oversized parka and a borrowed pair of boots, Kazuaki Tanahashi carefully picks his way down a slush-encrusted sidewalk while I hover protectively, worried that he will lose his footing. “I’m all right,” he insists, but I’ll have some explaining to do if something happens to a national treasure on my watch. More »
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    Sleeping with the Hungry Ghost Paid Member

    Hungry ghost, a morphology all by itself between our realmsHungry ghost: that dwells in consciousness, torments our desireSexy ghost, a performer, a demon, a gadflyTo never have enough be enough get enoughDancing on coalsIn a state of mind, bewitched, unsettled over what he thinks or she thinks, what they thinkWhat the “I” thinks: hieroglyph for the hungry ghostUnsatisfied—dancing on nails!Jostled by waves, the real kind, that pull you underTurbulent in a shadow realm between waking and sleepHungry ghost with sacrifices in the sand, hewn characters inthe mind, arms and legs that are brisk strokes of gestures in air, in language, flailing about, writing with the skeletal stylus of the hungry ghostSleeping with the hungry ghost who writes your book More »
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    "Letter to the Wall Street Journal," 1966 Paid Member

    Every American wants MORE MORE of the world and why not, you only live once. But the mistake made in America is persons accumulate more more dead matter, machinery, possessions & rugs & fact information at the expense of what really counts as more: feeling, good feeling, sex feeling, tenderness feeling, mutual feeling. You own twice as much rug if you're twice as aware of the rug. Possessing more means being aware of more: & that "awareness" is banked in areas we call feeling. Bodily feeling sense or sensual feeling. More »
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    Two in Relation Paid Member

    To view the Oxherding portfolio, as featured in the Spring 2011 issue of Tricycle, click here. Lewis Hyde is a poet, essayist, translator, and culture critic. Of his 1983 book, The Gift, David Foster Wallace said, “No one who is invested in any kind of art can read The Gift and remain unchanged.” A MacArthur Fellow and former director of undergraduate creative writing at Harvard University, Hyde teaches during the fall semesters at Kenyon College, where he is the Richard L. Thomas Professor of Creative Writing. During the rest of the year he lives in Cambridge, Massachusetts, where he is a Fellow at Harvard’s Berkman Center for Internet and Society. More »