Tricycle

  • Acharya Judy Lief on Working with Labels and Reactions Paid Member

    Every Friday, Acharya Judy Lief, a senior teacher in the Shambhala tradition of Chogyam Trungpa Rinpoche, comments on one of Atisha’s 59 mind-training (Tib. lojong) slogans, which serve as the basis for a complete practice. Atisha (980-1052 CE) was an Indian adept who brought to Tibet a systematized approach to bodhicitta (the desire to awaken for the sake of all sentient beings) and loving-kindness, through working with these slogans. Judy edited Chogyam Trungpa’s Training the Mind (Shambhala, 1993), which contains Trungpa Rinpoche’s commentaries on the lojong teachings. Each entry includes a practice. See the previous slogans and commentaries here. 8. Three objects, three poisons, and three seeds of virtue. More »
  • A Day at the Grist Mill with Bonnie Myotai Treace Paid Member

    Yesterday I was lucky enough to get out of my cave cubicle in the Tricycle office and travel to Garrison, New York to the Grist Mill, where Bonnie Myotai Treace leads retreats for the Hermitage Heart sangha. Garrison is a 90-minute train ride straight up the Hudson River from New York City. The Grist Mill, pictured below from across the mill pond, is within easy walking distance of the train station. The Hudson Valley is so beautiful it seems odd that is so close to the city. In the morning when I woke up in Brooklyn it was warm and sticky, the air heavy and still. In Garrison it was cool, breezy and clear. I was there with videographer and friend of Tricycle Denise Petrizzo. Our mission was to film the first part of a teaching by Myotai that will appear on Tricycle.com in July as our Tricycle Retreat, "Whole Life Offering." Arriving early Tuesday morning, Denise and I walked around the mill, which is tucked into a deep green wood full of streams, ponds, and small rocky waterfalls. A few feet into the woods at the beginning of our walk, we startled two fawns and were too slow to catch them on camera. Stupidly I didn't take any photos. When you have a video camera to worry about, sometimes you slip on the small stuff like still photography. Myotai later told us a story about the late John Daido Loori Roshi, who was famous for his love of photography and fostering creativity in his students. He would send his photography students out on long walks by Zen Mountain Monastery and tell them to take just one picture! They must have come back having seen so much more, searching the landscape intently for that one perfect shot! Daido's birthday was June 14th. (Two pieces by Myotai appeared in the Spring 2010 Tricycle: "The Sword Disappears in the Water," and a remembrance of Daido, "Being Love by Loving.") More »
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    Open Focus with Philippe Petite, Man on Wire Paid Member

    On Monday night, a few of us from Tricycle headed over to the Rubin Museum to attend an interview with high wire walker Philippe Petit, conducted by photographer Tom Wool. Wool's photographs of Tibet's Rongbuk Valley are being shown at the Rubin in an exhibit entitled "In the Shadow of Everest." The photos are breathtaking portraits of a remote part of the world---portraits of young school boys, Buddhist nuns and monks meditating, and the contents of his guide's pocket which included a half-dozen photos of the Dalai Lama, an image forbidden in the area. More »
  • Wrong, wrong, wrong! Paid Member

    Himalayan Art Resources' Jeff Watt couldn't be more emphatic: Art for art's sake is as old as Tibet—in fact, far older. So you can imagine how ticked off the Tibetan iconography expert was when he read this at artdaily.org: There is no Tibetan equivalent for the word “art” as it is known in the West. The closest approximation is lha dri pa, literally, “to draw a deity.” Traditionally, neither the Tibetan language nor the Tibetan cultural framework has recognized art for art’s sake, and an artist’s efficacy rests in his ability to precisely replicate an established visual language and portray the essence of a particular deity. (Artdaily.org). More »