In the great Buddhist grottos at Dunhuang, the unequalled repository of Buddhist statues and art in China’s far west, certain Buddha figures do not sit in full lotus as one might expect. Nor do they stand erect, another common posture. Instead, they sit with their legs crossed at their ankles, a puzzling, rather uncomfortable looking position. The Chinese scholar Gu Zhengmei argues that this posture is a sure sign that these statues represent Maitreya Buddha, the “Buddha to Come” who is said to appear in the world when all have forgotten the dharma. He claims that it is consistent with discoveries of Maitreya images not just at Dunhuang, but also in Greek-influenced Gandhara, where the first icons of the Buddha were found.