January 10, 2013

Himalayan Buddhist Art 101: Stories of the Buddha Part 2, Life Story Quick Guide

Jeff Watt

Buddhist practice and Buddhist art have been inseparable in the Himalayas ever since Buddhism arrived to the region in the eighth century. But for the casual observer it can be difficult to make sense of the complex iconography. Not to worry—Himalayan art scholar Jeff Watt is here to help. In this "Himalayan Buddhist Art 101" series, Jeff is making sense of this rich artistic tradition by presenting weekly images from the Himalayan Art Resources archives and explaining their roles in the Buddhist tradition.

Read Part 1

Himalayan Art 101: Stories of the Buddha Part 2, A Quick Guide

There is a tremendous corpus of art devoted to the narrative stories surrounding the Buddha, his students, and their previous lives. In the Tibetan Buddhist tradition these narratives are grouped into three categories: the life story of Shakyamuni Buddha, the Jataka tales of the previous lives of the Buddha, and the Avadāna stories, which can include the previous two categories in addition to stories about the students of the Buddha. All of these stories can be depicted on either a single painted composition or in series of paintings comprising a single large artwork.

It is important to recognize the unique visual characteristics for each of the three categories of stories in order to distinguish them. Paintings of the life story of Shakyamuni Buddha utilize both imagery unique to the category and imagery shared with the Avadāna category. Very unique visual forms are the keys to recognizing a composition or series of compositions representing the life story of the Buddha.

The images shown all come from the same painting. In the first image, the primary visual cue is the representation of the white elephant descending from the heavens, as described in the dream of Queen Mayadevi. The second depicts the birth of the Buddha under a tree and the third depicts the very first steps in the eight directions taken by the baby Buddha.

A number of events from the Buddha's life story are described in the 100 narratives of the Avadāna stories. The white elephant, the birth, and first steps are always depicted in the life story but never found in the other two categories of Jataka or Avadāna stories. Thus, when any of these three scenes are found in a composition, the subject of the painting must be the life story of Shakyamuni Buddha.

Continue to Part 3: Jataka Tales Quick Guide

 

Take a look at the images in more detail at Himalayan Art Resources here.

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Dolgyal's picture

Lord Buddha's life story images remind me that Lumbini, Nepal is under imminent threat from a highly inappropriate mega-development theme park project– the centrepiece of which will be the Eric Kuhne designed 'Lumbini Cloud' tower which will be operated by VTP Global.

Mr Xiao Wunan Asia Pacific Exchange & Cooperation Foundation (APECF) and Brian Pettifer of Vertical Theme Parks Global (VTP) recently signed a memorandum of understanding at VTP's London office.
Why on earth does anyone need a tacky mega-development project here? If you want to see a tower, one can go to Dubai, Disneyland, Las Vegas or any number of tourist attractions elsewhere.

Please inform yourself on this project and consider what can be done, for example signing a petition:
www.ipetitions.com/petition/lumbini-belongs-t o-all-buddhi...
The petition in full:
We are writing to enlist your support in an international petition to protect the environment of Lumbini, the Birthplace of the Buddha, from degradation caused by heavy industry that has located in the Lumbini region of Nepal.
The environmental pollution caused by cement and steel plants in this area is degrading local ground water and air quality and has already impacted local agriculture and public health. Needless to say, it is also impacting Lumbini's sacred space.
The Industrial Promotion Board (IPB) of Nepal's Ministry of Industry issued 4 decisions in late November 2009 to restrict industrial activities in the area. However, no action has followed and the situation continues to deteriorate.
A local, national, and international initiative has been launched to protect Lumbini's sacred environment and the health of its community. This initiative is now led by the Lumbini Environment Protection Alliance (LEPA), an international alliance that includes the Lumbini Development Trust (established by the government of Nepal to oversee this World Heritage Site), Lumbini Institutions (all the Buddhist monasteries in Lumbini), and the Lumbini Stakeholder Committee, comprising numerous Buddhist and non-Buddhist organizations as well as individual supporters from around the world.

We are writing today to plead for your support in this international effort. If you would add your name to this petition, it would add immeasurably to the significance and value of this initiative to restore the integrity of Lumbini's sacred space for current and future generations of humanity.

With much gratitude for your hoped for support,
LEPA (Lumbini Environmental Protection Alliance)