February 23, 2011

Echoes of the Past: The Buddhist Cave Temples of Xiangtangshan

The upcoming exhibition, Echoes of the Past: The Buddhist Cave Temples of Xiangtangshan, at the Arthur M. Sackler Gallery looks like it will be incredible. To anyone in or near the Washington, D.C. area, I highly recommend going.

via the Freer Sackler website,

Echoes of the Past: The Buddhist Cave Temples of Xiangtangshan
February 26–July 31, 2011
Arthur M. Sackler Gallery

Majestic sixth-century Chinese Buddhist sculpture is combined with 3D imaging technology in this exploration of one of the most important groups of Buddhist devotional sites in early medieval China. Carved into the mountains of northern China, the Buddhist cave temples of Xiangtangshan (響堂山, pronounced "shahng-tahng-shahn") were the crowning cultural achievement of the sixth-century Northern Qi dynasty (550-77 CE). Once home to a magnificent array of sculptures—monumental Buddhas, divine attendant figures, and crouching monsters framed by floral motifs—the limestone caves were severely damaged in the first half of the twentieth century, when their contents were chiseled away and offered for sale on the international art market.

Because of the extensive damage to Xiangtangshan, it has been all but impossible to appreciate the caves' original appearance or to understand the rich and complex artistic and religious achievement they once represented. In recent years, however, research and new technologies have made it possible to digitally envision some of the caves as they appeared before their tragic despoliation. In Echoes of the Past, ancient sculptural masterpieces will be united with a set of innovative digital components, including a video installation that offers an immersive, kinetic re-creation of one of the largest stone temples. Touch screens and research kiosks will offer more detailed information about the site and the themes explored in the exhibition.

More info here.

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Anreal's picture

You lucky buggers, wish I was there.

Monty McKeever's picture

Me too, Anreal!